Reconnect with Nature, Simplify Your Life.

FURNITEX - Gaming Chair with 4D Armrest (FT-G1) Baby Pink
FURNITEX - Gaming Chair with 4D Armrest (FT-G1) Baby Pink

FURNITEX - Gaming Chair with 4D Armrest (FT-G1) Baby Pink

24128 tk 24128 tk

āĻĒā§āϰ⧋āĻĄāĻžāĻ•ā§āϟ āϕ⧋āĻĄ: 527

āĻĸāĻžāĻ•āĻžāϰ āĻ­āĻŋāϤāϰ⧇ āĻĄā§‡āϞāĻŋāĻ­āĻžāϰāĻŋ ā§ŗ 60
āĻĸāĻžāĻ•āĻžāϰ āĻŦāĻžāχāϰ⧇ āĻĄā§‡āϞāĻŋāĻ­āĻžāϰāĻŋ ā§ŗ 130

āĻĒāĻ¨ā§āϝ⧇āϰ āĻŦāĻŋāĻŦāϰāĻŖ

Professional Gaming Chair for Your Workspace

The FURNITEX Gaming Chair with 4D Armrest (FT-G1) in Baby Pink is built for long hours at your desk. Whether you're working from home, gaming, or managing office tasks, this chair combines comfort with practical design. The baby pink finish adds a soft aesthetic touch to any workspace while maintaining the durability you need for daily use.

Designed with workplace functionality in mind, this gaming chair supports extended sitting sessions without compromise. The structure is engineered to handle regular office and creative work environments where comfort directly impacts productivity.

4D Armrest Technology for Desk Work

The 4D armrest system is the standout feature for desk-based users. This multi-directional adjustment capability means you can position your armrests to match your exact desk height, typing angle, and posture needs. Unlike fixed armrests, the 4D design moves up, down, forward, backward, and rotates to support your arms throughout your workday.

When you're sitting at a desk for 6, 8, or 10 hours, armrest positioning matters. Proper arm support reduces strain on your shoulders and neck. The 4D system lets each person dial in their ideal position for typing, mousing, or general work tasks.

Sizing and Build for Daily Desk Use

This chair is engineered for comfortable all-day sitting. The seat dimensions are calculated to support users during prolonged desk work. The backrest provides the kind of support you need when you're focused on screens, spreadsheets, or creative projects for hours at a time.

The build quality reflects workplace demands. This is not a lightweight, flimsy office chair—it's constructed to handle the daily wear of someone who actually spends their work hours in it. The frame and mechanisms are made to endure consistent use in offices, home workspaces, and creative studios.

Height adjustment is smooth and reliable, letting you match the chair to your desk setup. Wheel mobility makes repositioning easy without disrupting your workflow. The overall design keeps your focus on work, not on fidgeting with your seating.

Baby Pink Finish for Modern Workspaces

The baby pink color choice works well in contemporary office environments, home offices, and creative spaces. It's neutral enough to blend with professional settings while adding a soft visual element that breaks up standard black and gray office furniture.

The finish is applied to maintain durability through regular cleaning and daily contact. This isn't a delicate aesthetic choice—it's practical workspace furniture that happens to come in a softer color palette.

āĻ•āĻ°ā§āĻŽāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇āϰ āϜāĻ¨ā§āϝ FURNITEX āϗ⧇āĻŽāĻŋāĻ‚ āĻšā§‡āϝāĻŧāĻžāϰ

FURNITEX āϗ⧇āĻŽāĻŋāĻ‚ āĻšā§‡āϝāĻŧāĻžāϰ ā§ĒāĻĄāĻŋ āφāĻ°ā§āĻŽāϰ⧇āĻ¸ā§āϟ āϏāĻš (FT-G1) āĻŦ⧇āĻŦāĻŋ āĻĒāĻŋāĻ™ā§āĻ• āϰāϙ⧇ āφāĻĒāύāĻžāϰ āĻĄā§‡āĻ¸ā§āϕ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āϤ⧈āϰāĻŋāĨ¤ āϝāĻĻāĻŋ āφāĻĒāύāĻŋ āĻ…āĻĢāĻŋāϏ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āύ, āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āύ, āĻŦāĻž āĻĻā§€āĻ°ā§āϘ āϏāĻŽāϝāĻŧ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ⧇āϰ āϏāĻžāĻŽāύ⧇ āĻŦāϏ⧇āύ, āϤāĻžāĻšāϞ⧇ āĻāχ āĻšā§‡āϝāĻŧāĻžāϰ āφāĻĒāύāĻžāϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύāĨ¤ āĻĻāĻŋāύ⧇āϰ āĻĒāϰ āĻĻāĻŋāύ āĻŦāϏ⧇ āĻ•āĻžāϜ āĻ•āϰāϞ⧇ āĻšā§‡āϝāĻŧāĻžāϰ⧇āϰ āĻŽāĻžāύ āĻāĻŦāĻ‚ āφāϰāĻžāĻŽ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤ āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āĻļāĻ•ā§āϤ, āĻĻā§€āĻ°ā§āϘāĻ¸ā§āĻĨāĻžāϝāĻŧā§€ āĻšā§‡āϝāĻŧāĻžāϰ āϝāĻž āĻ…āĻĢāĻŋāϏ āĻĒāϰāĻŋāĻŦ⧇āĻļ⧇āϰ āĻĻāĻžāĻŦāĻŋ āĻŽā§‡āϟāĻžāϤ⧇ āĻĄāĻŋāϜāĻžāχāύ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤

āĻāχ āĻšā§‡āϝāĻŧāĻžāϰ⧇āϰ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻšāϞ⧋ ā§ĒāĻĄāĻŋ āφāĻ°ā§āĻŽāϰ⧇āĻ¸ā§āϟāĨ¤ āĻāϰ āĻŽāĻžāύ⧇ āφāĻĒāύāĻžāϰ āĻŦāĻžāĻšā§āϰ āĻŦāĻŋāĻļā§āϰāĻžāĻŽ āĻ¸ā§āĻĨāĻžāύ āϚāĻžāϰ āĻĻāĻŋāϕ⧇ āϏāĻžāĻŽāĻžā§āϜāĻ¸ā§āϝ āĻ•āϰāĻž āϝāĻžāϝāĻŧ—āωāĻĒāϰ⧇-āύāĻŋāĻšā§‡, āϏāĻžāĻŽāύ⧇-āĻĒāĻŋāĻ›āύ⧇ āĻāĻŦāĻ‚ āĻ˜ā§‹āϰāĻžāύ⧋ āϝāĻžāϝāĻŧāĨ¤ āĻĻā§€āĻ°ā§āϘ āϏāĻŽāϝāĻŧ āĻĄā§‡āĻ¸ā§āϕ⧇ āĻŦāϏāϞ⧇ āϏāĻ āĻŋāĻ• āφāĻ°ā§āĻŽāϰ⧇āĻ¸ā§āϟ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āφāĻĒāύāĻžāϰ āĻ•āĻžāρāϧ āĻāĻŦāĻ‚ āϘāĻžāĻĄāĻŧ⧇āϰ āϚāĻžāĻĒ āĻ•āĻŽāĻžāϝāĻŧāĨ¤ āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻŽāĻžāύ⧁āώ⧇āϰ āϜāĻ¨ā§āϝ āĻāϟāĻŋ āφāϞāĻžāĻĻāĻžāĻ­āĻžāĻŦ⧇ āϏ⧇āϟ āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤

āĻŦ⧇āĻŦāĻŋ āĻĒāĻŋāĻ™ā§āĻ• āϰāĻ™ āφāϧ⧁āύāĻŋāĻ• āĻ…āĻĢāĻŋāϏ āĻāĻŦāĻ‚ āĻŦāĻžāĻĄāĻŧāĻŋāϰ āĻ•āĻžāĻœā§‡āϰ āϘāϰ⧇ āĻ­āĻžāϞ⧋ āϞāĻžāϗ⧇āĨ¤ āĻāϟāĻŋ āĻĒ⧇āĻļāĻžāĻĻāĻžāϰ āĻĒāϰāĻŋāĻŦ⧇āĻļ⧇ āĻŽāĻžāύāĻžāύāϏāχ āĻāĻŦāĻ‚ āĻāĻ•āχ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āύāϰāĻŽ, āφāĻ•āĻ°ā§āώāĻŖā§€āϝāĻŧ āĻšā§‡āĻšāĻžāϰāĻž āĻĻ⧇āϝāĻŧāĨ¤ āĻšā§‡āϝāĻŧāĻžāϰāϟāĻŋ āύāĻŋāϝāĻŧāĻŽāĻŋāϤ āĻŦā§āϝāĻŦāĻšāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻŸā§‡āĻ•āϏāχ āĻāĻŦāĻ‚ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻž āϏāĻšāϜāĨ¤ āωāĻšā§āϚāϤāĻž āϏāĻŽāĻ¨ā§āĻŦāϝāĻŧ āϏāĻšāϜ āĻāĻŦāĻ‚ āϚāĻžāĻ•āĻž āĻĻāĻŋāϝāĻŧ⧇ āϏāϰāĻžāύ⧋ āϝāĻžāϝāĻŧ, āϝāĻžāϤ⧇ āφāĻĒāύāĻžāϰ āĻ•āĻžāĻœā§‡ āϕ⧋āύ⧋ āĻŦāĻžāϧāĻž āύāĻž āĻĒāĻĄāĻŧ⧇āĨ¤

āϰāĻŋāϞ⧇āĻŸā§‡āĻĄ āĻĒā§āϰ⧋āĻĄāĻžāĻ•ā§āϟ